{"id":19752,"date":"2025-03-14T16:09:20","date_gmt":"2025-03-14T17:09:20","guid":{"rendered":"https:\/\/museu-angra.cultura.azores.gov.pt\/others\/historical-pieces\/scaring-the-sparrows\/"},"modified":"2025-12-31T09:46:04","modified_gmt":"2025-12-31T10:46:04","slug":"scaring-the-sparrows","status":"publish","type":"page","link":"https:\/\/museu-angra.cultura.azores.gov.pt\/en\/others\/historical-pieces\/scaring-the-sparrows\/","title":{"rendered":"\u201cScaring the Sparrows\u201d"},"content":{"rendered":"\n<div class=\"wp-block-media-text has-media-on-the-right is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:auto 40%\"><div class=\"wp-block-media-text__content\">\n<p><p data-start=\"121\" data-end=\"885\"><strong data-start=\"121\" data-end=\"136\">Sousa Pinto<\/strong><br data-start=\"136\" data-end=\"139\"\/>J\u00falio de Souza Pinto (1856\u20131939), a naturalist painter born in Angra, settled in Pont-Scorff, Brittany, in 1903. According to Ana Paula Rebelo Correia, \u201cthe diversity of the landscape, the beauty of an unspoiled nature, and the tranquility inherent in a region that remained relatively isolated and preserved were appealing factors for artists seeking something completely different from the bustle of Paris. Over four decades, Souza Pinto interpreted the Breton landscape in his painting, its multiple atmospheric changes, and its inhabitants and customs,\u201d as exemplified in this rural scene where a girl, exposed to the intense sunlight that gilds the wheat, makes a noise with a cane device to protect the ears from the voracity of sparrows.<\/p>&#13;\n<p data-start=\"887\" data-end=\"1030\" data-is-only-node=\"\">This painting is on display in the long-term exhibition of the Museum of Angra do Heroismo, <em data-start=\"981\" data-end=\"1027\">From Sea and Land\u2026 a History in the Atlantic<\/em>.<\/p><\/p>\n<\/div><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"630\" height=\"400\" src=\"https:\/\/museu-angra.cultura.azores.gov.pt\/wp-content\/uploads\/2025\/03\/banner-84.jpg\" alt=\"\" class=\"wp-image-12677 size-full\" srcset=\"https:\/\/museu-angra.cultura.azores.gov.pt\/wp-content\/uploads\/2025\/03\/banner-84.jpg 630w, https:\/\/museu-angra.cultura.azores.gov.pt\/wp-content\/uploads\/2025\/03\/banner-84-300x190.jpg 300w\" sizes=\"auto, (max-width: 630px) 100vw, 630px\" \/><\/figure><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Sousa PintoJ\u00falio de Souza Pinto (1856\u20131939), a naturalist painter born in Angra, settled in Pont-Scorff, Brittany, in 1903. According to Ana Paula Rebelo Correia, \u201cthe diversity of the landscape, the beauty of an unspoiled nature, and the tranquility inherent in a region that remained relatively isolated and preserved were appealing factors for artists seeking something [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":19114,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-19752","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u201cScaring the Sparrows\u201d - Museum of Angra do Heroismo<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/museu-angra.cultura.azores.gov.pt\/en\/others\/historical-pieces\/scaring-the-sparrows\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201cScaring the Sparrows\u201d - Museum of Angra do Heroismo\" \/>\n<meta property=\"og:description\" content=\"Sousa PintoJ\u00falio de Souza Pinto (1856\u20131939), a naturalist painter born in Angra, settled in Pont-Scorff, Brittany, in 1903. 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